But yesterday I made an unexpected find, as well. For many years, I have known about the lovely family register sampler owned by the Wells Public Library, made by Hannah Hill. It was included in I My Needle Ply With Skill. Late last fall I learned of a related Wells, Maine sampler stitched by Abigail Bragdon and owned by Strawbery Banke. Although the two samplers are not nearly identical, they share a common dividing band and alphabets and enough other similarities that I believed they had been made under the instruction of the same as yet unidentified teacher in Wells. When I dropped the Flavilla Barker sampler off yesterday at the Androscoggin Historical Society in Auburn, the lady there very kindly showed me the rest of their samplers (which I hadn't previously known about.)
One was a rather plain marking sampler, badly faded, but the other three...egads! One is the twin of the sampler made by Hannah Hill. One is the twin of the sampler made by Abigail Bragdon and the third is an interesting hybrid of the two. I came unprepared for discoveries and didn't have my camera along. I tried to photograph them with my aged cell phone, but the pictures are wretched. I have asked the AHS people if they would please send me the girls' names and related dates, and to take a look back to see if they know who donated the samplers and when. Two of the AHS girls were Littlefield daughters, Littlefield being pretty much the most common surname in Wells. The third was (I believe it says) Olive I. Gooch. The fact that all three of these ended up in Auburn (not especially close to Wells) implies that they may have all been owned by the same family and passed down together, and that the three girls were most likely related.
As soon as I have the names, I'll get busy on the research on the girls. It would be particularly telling if they are also somehow related to Hannah Hill and Abigail Bragdon--although in my first go-round of research I found no connection between those two. If the whole group of girls turned out to be closely related, then I might begin to wonder if the samplers are not evidence of an academy, but that perhaps instead the whole group of girls were taught by some kindly--and talented--maiden aunt or something. Hannah's was made in 1827, Abigails in 1832, one of the ones at AHS in 1836, one I can't read, and the last made by Olive Gooch was stiched when she was ten, which would have been 1832, all of which says that if an academy was the source, it lasted for close to ten years--and I ought to somehow be able to find some record of it! Below are the two from our exhibit. As soon as I have presentable pictures of the other three, I'll post those as well.
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